On “The Mothers”: An Interview with Brit Bennett InterviewsSecondspace StudioOctober 13, 2016Michigan Quarterly Review
On Diaphragms and Literary Longevity CommentarySecondspace StudioSeptember 29, 2016Michigan Quarterly Review
Vicariousness and TV Recaps on the Internet CommentarySecondspace StudioAugust 30, 2016Michigan Quarterly Review
Coping with the Shame of the Books You’ve Outgrown CommentarySecondspace StudioJune 15, 2016Michigan Quarterly Review
On “Desert Boys”: An Interview with Chris McCormick InterviewsSecondspace StudioMay 5, 2016Michigan Quarterly Review
Maybe Novels Are Actually Really Good for Television CommentarySecondspace StudioMarch 11, 2016Michigan Quarterly Review
“Boy Erased”: An Interview with Garrard Conley InterviewsSecondspace StudioFebruary 15, 2016Michigan Quarterly Review
Review of Every Anxious Wave by Mo Daviau ReviewsSecondspace StudioFebruary 1, 2016Print-Oriented Bastards
An Apology to My Friends Who Love YA CommentarySecondspace StudioJanuary 11, 2016Michigan Quarterly Review
“The Only Woman in the Room”: An Interview with Eileen Pollack InterviewsSecondspace StudioNovember 16, 2015Michigan Quarterly Review
How a UMich Freshwoman Really Feels the Day Before Rush CommentarySecondspace StudioOctober 9, 2015Refinery29
“On New Life: An Interview with Dan O’Brien” InterviewsSecondspace StudioOctober 7, 2015Michigan Quarterly Review
“Wild Hundreds”: An Interview with Nate Marshall InterviewsSecondspace StudioSeptember 9, 2015Michigan Quarterly Review
On “The Great British Dream Factory”: An Interview with Dominic Sandbrook InterviewsSecondspace StudioAugust 10, 2015Michigan Quarterly Review
Trolling, Comedy and Finding the Joke: Thoughts on a Deadly Adoption ReviewsSecondspace StudioJuly 13, 2015Michigan Quarterly Review
Reality Bites: How Reality [Television] Scares Us More Than The Art We Make About It CommentarySecondspace StudioMay 18, 2015Michigan Quarterly Review